Sing, Unburied, Sing

I didn’t know anything about Jesmyn Ward’s novel except that it won the National Book Award. I’d heard her read parts of Salvage the Bones (which also won the National Book Award) on NPR and really liked both the writing and the interview with her that preceded it.

If I were still teaching, I’d be asking for a class set of Sing, Unburied, Sing and trying to figure a way to pair it with As I Lay Dying and/or Beloved. The writing was so, so good. I find haunting and ghosts endlessly fascinating both metaphorically in literature and in a more literal way. I’m trying to read fiction with a mind toward revising my own novel (which, like Ward’s novel is told through multiple perspectives). I read ravenously and urgently because there was something at stake (I was really worried about a toddler girl’s health, but there are also other long-term disasters looming on the horizon). I read so fast that I know I missed some of what Ward was doing with allusion, song, history, and language.

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